Tuesday, September 20, 2011

On the Importance of Public Art

It has been an exceptional week. I've been privileged to be intensely involved with CAFK+A (Contemporary Art Forum Kitchener + Area), as an architect, carpenter, and guest. CAFKA has grown from a small, local showing of an eccentric and energetic group of artists to a three week show of international stature, featuring over 30 major installations and artists from around the world. I commend the visionaries and volunteers behind it. The show this year has affected me and those around me in a very positive way.

As a designer of public spaces, the daily tendency is to get mired in bureaucracies, codes, liabilities, and economics. We are creating real structures that need to keep people warm, dry, well lit, and functioning in whatever it is they do for a hundred years or more. It is scary to push the envelope, not only because of the aforementioned list of concerns, but because reputation is such a fine line. Cross that line in a positive manner, and the rewards can be exhilarating, being known as someone who is a creative, a trendsetter, a person with vision. Cross it too far, and words like reckless, expensive, and irresponsible leap to the foreground. Word of mouth is everything in this business, and nearly everyone can find a parallel in their own work: lines that you are instructed not to cross, but beg further exploration.

Public art, and contemporary art in particular, is the perfect forum for exploring and destroying architectural and cultural boundaries. Often time limited, most likely budget constrained, built by "amateurs", often using found or inexpensive or re-purposed materials, pieces of contemporary art are able to move quickly, to be much more reactive to culture and to establish the bleeding edge of our understanding of space, form, and light. The public nature of most contemporary art ensures that everyone is exposed to it, has to walk through and around it, and as a result is challenged to question what on earth this bizarre creation is, why it looks the way it does, and why it was done. Public art breaks-in our future best clients. It inspires all designers to look at the world differently, to break down common assumptions about materials, construction, aesthetics, and site.

Two weeks before the opening of CAFKA, I was approached by the organizers to help produce architectural drawings for two of the pieces, which the City had deemed large and complex enough to require building permits. The City of Kitchener reviewed and approved them within hours, showing exceptional support for the show. “The Green Room” by Water Van Broekhuizen and “Buttress” by Andrew Burton commenced construction almost immediately, with 5 days and counting before the show opened. I then spent a gorgeous day in Victoria Park helping to construct Green Room, working with Walter and 4 other volunteers to realize his vision. The result is a masterpiece. Walter has created a space for intense experience, surrounding a giant willow tree on the edge of the water. Inside the green room, the world is reduced to simple elements. The bark of the tree, the play of shadows from the branches and leaves across the white curved walls, and the falling leaves are the first impressions. Stay awhile, and you realize that the view through the small entrance is of rippling water, that sounds are muted, and that the wind swirls interestingly around the walls. Both my one year old and eight year old sons spent the better part of an hour inside: quiet, exploring, happy. Stay longer and the best experience emerges, the opportunity to watch as others enter, walk around, and leave. The attitudes range from disdain, through indifference, all the way to reverence. The reverent ones are potential future clients.

Too often art is pigeonholed in galleries, hung on walls, constrained to canvasses or computer screens. The kind of experience to be had in Green Room can't be done any other way, and would never be done if not for forums like CAFKA. And it is exactly that kind of experience which not only establishes new boundaries for buildings, but in this case in particular, reminds us of fundamental qualities of space, the importance of silence, and the quiet intensity of the natural world. Chances are this article is being read long after Green Room is gone. You will just have to do your part to encourage its successors.

Thursday, March 24, 2011

Durability Follow Up

Further to my complaint that repair seemed to be an endangered profession, I received some tips and stories on where to buy a second life for some of our most commonly disposed items of value, the shoe and the iPod:

"Matt Afrouzi runs Uptown Shoes & Repairs on Highland Road, just east of Belmont, in Kitchener. I have a pair of Raichle hiking boots I bought in Lake Placid, NY, about a hundred years ago (okay, maybe it was only 20), and just love them. One day the sole started flapping off ... I went to a lot of people, between Windsor and Kingston, before I found the guy who said, "YES, I can repair those!" That was Matt. A bit quirky, a tad expensive, but I can't replace the comfort and years I've worn them in, so it's worth it.

Pfeifer's Shoe Repair, over on Duke Street, Kitchener. The Record recently featured an article on him, here's a link: http://news.therecord.com/article/774807

Samantha, at BTI Solutions, on Queen Street South, across from Northern Thai (again, Kitchener). I took our iPod (at least 5 years old) there, and her technician can fix a broken wheel or hold button (and probably other stuff), but can't fix the damage from water or moisture, although they tried. You'd enjoy talking to Samantha -- she's got a similar mindset about our disposable society, and so they fix what they can there. (and refill ink for printers ... my jury is out on this one yet -- perhaps my cartridge is just getting too old -- at any rate, she gives great customer service). "

Thank you, Kim F., for the great sleuth work!

Durability and the Culture of New


I lament our throw away culture. We buy automobiles that last 5 years, computers that last 3, cell phones that last one. Twenty five year warranties on roofs that really only last 15, one year warranties on almost any new home. How many time have you heard this one: “At that price, I can afford to throw it away and buy a brand new one!”

We have traded a long established culture of durability, maintenance and re-use for one of cheap, expendable, single use goods. Do you know where to find a cobbler? Mending shoes is obsolete. We wear them out (or most often the glued-on sole simply breaks away, or a seam bursts), we throw them away, we buy new ones. More often, we give or throw them away as they go out of style. Who in their right mind would mend a pair of socks? Darning is art of mending socks, a term which, like cobbler, is disappearing from our language. We think of these things as antiquated, not modern. This is a mindset that has been created, promoted, and sold relentlessly for decades. It's working.

When we enter the realm of buildings, we experience a great paradox. Buildings last a long time, and it's difficult to throw them away. Individual components fail, but in order to continue to successfully shelter their occupants, they typically get repaired. You've undoubtedly heard of a house having “good bones”, this is used in reference to houses from the early part of the 20th century or earlier, when the culture of durability still existed. Fast forward 75 years, and we enter the age of the great suburban experiment. Houses have become a mass produced commodity. The greatest benefit went to the builders who could build fast, cheap, and in quantity. The entire social experiment of the seventies through today, was bent on delivering houses of the minimum quality permitted by law, bigger and faster than the competition. We use inventions like drywall, chip board, asphalt shingles, fibreglass insulation, particle board, melamine, MDF, plastic vapour barriers. Thin, cheap to manufacture, lightweight, easy to install, petrochemical based, clean and new on day one, tired and worn within 10 years, if you're lucky. These became the assumed materials from which most homes and small buildings were constructed. Suggesting anything otherwise to most builders just gets you lots of head scratching, or guffaws at the naivety of considering such an expense. Brick, stone, timber, slate, copper, steel, cedar, materials that have inherent durability, have become expensive and available only to the well to do. Similarly, you can still buy a high quality, stitched leather pair of boots with repairable soles. The only problem is you'll have to go to an overpriced boutique in a big city, with upper class clientèle and exclusive pricing. And you still haven't found that cobbler to fix them if it ever comes to that.

An entire lifestyle has evolved around this. The typical home owning couple will move an average of 5 times in their adult lives: starter home, family home, larger family home, downsized home, retirement home. “Flip that house” has become a catch phrase, and a plot line for numerous insipid yet oddly entertaining TV shows (misery loves company). This has turned the concept of investment and durability on its ear. Why on earth would we put a 50 year roof on a house we're not going to live there for more than 15? Give me the cheapest shingle you've got, with a 20 year warranty. Let the new owners worry about it.

The foremost strategy for sustainable building is durability. This is also the great paradox of building green. There are serious environmentalists who preach that every human made thing on this planet should spontaneously compost itself. I am not one of those. We humans make pretty lousy animals, and as a result we need fairly sophisticated shelters to make us happy, healthy, and comfy enough to afford the luxury to sit back and type interesting bits into our blogs. There is a fine balance between using materials which are naturally derived, and ending up with a building which is more mushroom food than healthy shelter. But if we look a little deeper, we find that the most durable materials are those which the planet has provided us, used in an intelligent, designed manner. It is a great misconception that plastics “last for thousands of years”. Anyone who has left a children's toy out in the yard for a season or two knows that water and UV are powerful forces of entropy. Plastic may take centuries to break down biochemically, but its functional lifetime as an effective skin against the elements is surprisingly short. Clay, on the other hand, when fired into a brick, literally does last centuries, even millenia (witness ancient Rome – built largely of brick). Leave an un-fired brick directly exposed to rain and it will disappear in years. Fire the brick, creating a hardened skin on it, and protect it with a roof and overhangs, and you've done a great thing. Clay has an incredible capacity to store moisture and dry out again indefinitely. Though if we keep it wet for too long, like through the winter, and ice will form inside it causing it to explode. Materials need to be used intelligently.

Glass is an interesting conundrum as well. Look at any modern city and you will be met with towering walls of seemingly nothing but glass. Derived from sand and silicates, it is naturally sourced, very durable, and magically transparent. It is fragile, but strong enough to withstand the majority of day to day stresses (hurricane-hurled objects being an obvious exception). But I can't help but wonder what will happen to all those glass skinned towers as the price of energy rises, and that great view quickly seems like a silly trade off for maintaining your vital body heat. Glass is a great material, renewable, durable, and used wisely in a well designed passive solar building, a net benefit for a long long time. Used for its aesthetic properties without a long view to the future, it could be an incredible waste. Many civilizations for centuries after the fall of Rome mined its cities for stone, iron and marble, perhaps we will eventually dismantle the glass towers of Toronto and use those panes for sensibly sizes, South facing windows in our own modest shelters. Steel has similar properties; incredibly durable until exposed to continual cycles of wetting and drying in combination with salt. Infinitely recyclable, but only as long as it can be effectively and cleanly removed from an assembly, and isn't coated with toxic paints.

The great suburban experiment is already slowing, albeit imperceptibly in some parts of our world. Let's hope that the last two decades are the last “housing boom”. We need to work towards intensifying our urban cores with sensible, well designed, durable buildings and stop the madness of planting plastic disposable boxes all over our prime food producing land. We should also look to moving out of this culture of disposal on all levels. Try to repair something that you would typically throw away and if you can't, ask yourself why this came to be. My own recent exercise in this was an attempt to replace the battery in an iPod. The realization that most of these pocket electronics are simply battery draining devices, and that the real profit is in the inherent obsolescence of the battery itself, is incredibly frustrating. It was less expensive to throw the whole thing away and buy new. It makes me wonder about electric cars, and if buying a very large, toxic expensive bank of limited life span batteries on wheels is really that much better than fossil fuel use.

If you find that cobbler, send me an email. graham@whitingdesign.ca Now if I could only find a pair of boots worth repairing.

Wednesday, August 25, 2010

CCGG : I’ve changed my mind. | RQ Magazine

CCGG : I’ve changed my mind. | RQ Magazine


A great call to arms for the Canadian Clay and Glass gallery, and its public, to step up and prove to us its worth, locally and nationally. We can't keep pouring money into this building only to see it disappear into very quiet, low profile management and more status quo. Thanks, RQ!

Monday, August 09, 2010

Jolt for the Volt

http://www.chevroletvoltage.com/

Am I the only one that thinks the new Chevy volt should cost half as much? We're talking about a fairly run-of-the-mill sedan in every sense other than its cargo of lithium. At $41,000, it's the third most expensive vehicle in the Chevy line-up. Only the Suburban 3/4 ton and the Tahoe Hybrid are more, and these are GIANTS.

I bought a Volkswagen Jetta TDI seven years ago for $23,000. It gets 5L / 100km (56mpg for those of you still using imperial). It still gets this mileage with 180,000k on the odometer. The Volt runs on electricity for the first 40k, then switches over to a 50mpg gas engine.

Stop me if I'm out of line here, but if we could easily build conventional engines that acheived almost 60mpg almost EIGHT YEARS AGO, how is this Chevy, which costs TWICE AS MUCH, any better?

Tuesday, August 03, 2010

Wordle Keyword Art



Great internet tool that creates a mosaic of the most commonly occurring words in a blog. Reveal your obsessions in a single click!

Friday, June 18, 2010

New Look

I'm celebrating my 3.7th anniversary with a fresh coat of VOC free paint and a new font or two. xo